4,431 Royalty-Free Audio Tracks for "Synth Filter"

A lo-pass filter on a single note of a synthesizer.

Synth filter sweep c3.

C minor played with hybrid vst for ableton. Settings set to square wave, and filter with resonance.

Just a short reece loop.

Synth filter sweep bass c2.

Synth loop with lo pass filter and delay.

Filtered korg synth scape.

Violin through filter fx on line 6 pedal.

Reverb with a couple cool synth tones bleeding through.

Short arpeggiated synth loop. The instrument used is u-he's repro-one synthesiser which is a digital model of the sequential circuits pro one. The first part of the loop features a slow filter modulation. The second part of the loop features the built-in wavefolder distortion built in to the synthesiser.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

This was created with probe software.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Showcasing the filter on some chords played on the unearthly oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

Noise clap.

A distorted pad with filters modulated over a beat.

A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.

Testing a synth and new filter.

Spitty moogsub37 recording.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

The Merfolk I Should Turn To Be von Soft and Furious. The Merfolk I Should Turn To Be by Soft and Furious.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

Fast bandstop filter thru saw.

The same sound thru two filters. No editing. 100% dry.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

Moog voyager in hard sync does a dual lowpass filter sweep. One of those quintessential moog sounds.

Little melody with one synthesizer and effect.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Synth swooshing sound of a square wave. Suitable for intros or logos. Available in several intensities.

White noise from a synth with shifting filters. Sounds like harsh winter wind. Used this for wind sound effect in a play sound design for a scene in the mountains of nepal.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

An example of a classic analog synthesizer sound. Four sawtooth bass filter sweeps with gradually increasing resonance.

Absynth5 + korg m3 karma midi + 909.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

Simple beat in c.

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.